There's a memorably tender moment, in this production of Graham Reid's 1984 Irish play, when two widowed seniors, Bert (Mik Scriba), a Protestant, and Theresa (Diana Angelina), a Catholic, kiss for the first time. The two always meet in a cemetery, where they regularly tend the graves of their... More >>

Director Marco Gomez's mostly straightforward but pleasingly intimate staging of Tom Eyer and Henry Krieger's now classic Motown rock musical engagingly captures the ferocious ambition, passion and inevitable disappointments of the story of the rise of a girl band -- a tale whose incidents... More >>

Judy Garland's legendary triumphs and tragedies, dish and dirt have been chronicled so often and in so many forms, it would seem no nuance is left to be unearthed. Then there is Tracie Bennett, a performer whose colossal vocal and emotional power in End of the Rainbow pull us eagerly into a... More >>

There are no weak links in Michael Michetti's staging of The Grapes of Wrath. It is a study of characters adrift, American refugees of the Great Depression, starting with the decision of the Joad family to leave Dust Bowl–cursed Oklahoma for California. On the horizon of the dusty plains... More >>

This ensemble piece from the Latino Theater Lab serves as a disquieting reminder that the fortunate survivors of war quite often become its most heart-rending victims. Directed by Jose Luis Valenzuela, Melancholia tells the story of Mario, an idealistic young man from East Los Angeles who... More >>

The seductive appeal of this musical hagiography by writer-director Randy Johnson is no mystery. Nineteen-sixties rock acts have proved effective boomer bait for fundraising PBS stations for years. That the trend should have morphed into the tribute-concert stage musical merely speaks to... More >>

Playwright Doris Baizley consulted with defense attorney Anne Raffanti before writing this revealing one-act about a law-enforcement officer who realizes that the man he wants to entrap is not that different from himself. Estranged from his family, stressed-out FBI agent Richard Roe (Gregory... More >>

If you've forgotten the childlike joy and sublime wonderment of seeing magic performed, Albie Selznick's theatrical show is an enchanting reminder. The accomplished actor-magician puts on a bewildering tour de force that has more "how did he do that" flashes than can be counted. The show also... More >>

Director Roger Mathey and Seat of the Pants Productions return with a solid revival of their 2002 production about four lower-class Edinburgh youths prematurely entombed in a hellish world of sex, heroin addiction and violence. The story is based on the 1993 novel by Irvine Welsh (the source... More >>

Composer and musical director Gregory Nabours' 90-minute musical is smart, sexy, funny and heartbreaking, with 18 appealing songs (five of them new for this production). Presented as the opening number, the title tune is catchy enough to hook you in immediately. The attractive and searingly... More >>

Remember last year's Are You There God? It's Me, Karen Carpenter, the musical spoof that used Judy Blume's '70s coming-of-age book set to the Carpenters' music? Writer-director Dane Whitlock has done it again, this time integrating the decade's classic TV series Little House on the Prairie with... More >>